Hollywood man.
They call me Hollywood man.
Too proud to stand aside.
One falling star that longs for one final chance.
One chance to shoot for the sky.
And if the world gets in my way, I'll still go on just the same.
I'm asking for that one helping hand,
that certain one who believes.
Someone to share in a dream.
Open your eyes, open your heart.
Won't someone understand this Hollywood man?
That's enough.
Why did you waste your money showing me this crap?
Bike movies are out.
-Joe.
I did three bike films for you for practically nothing.
Hey, you know, you made a lot of money on me.
-We're not going to start on that, are we, Rafe?
-All right.
I begged.
And I borrowed.
And I stole the $125,000 to make this movie.
And a lot of people are dependent on me.
And I'm not going to let them down.
I need $375,000.
If you don't give it to me, I'm screwed.
-Sorry, Rafe.
No.
-Let's get out of here.
-Yeah, let's-- yeah, let's get out of here.
-Rafe.
Wait a minute.
Here's a number in southern Florida.
The man's name is Angelo Russo.
I'd advise you not to call him.
-Thanks, Joe.
-Rafe, when do we start?
-A-- anything you want, Mr. Russo.
You got it.
-Angelo, Rafe.
Call me Angelo.
-Angelo.
OK.
Angelo, let me tell you.
We're going to make ourselves a good film.
-I know we will, Rafe.
-Then everything is settled.
Oh, Tony.
Wasn't there one more thing you wanted to mention to Rafe?
-Oh, yeah.
Can I see you alone for a minute, Rafe?
Uh, excuse us, Miss Martin, eh?
Just a couple more things I want to nail down.
-Oh, yeah.
Sure.
Can I freshen your drink, Miss Martin?
-Now, we put up $375,000.
You put up $125,000.
We split the profits 50-50.
-Yeah, that's what Mr. Russo outlined.
-Yeah, provided that you produce a product
in the specified time, with the specified money.
-Right.
Four weeks.
We can do it.
-Yeah, but if you can't do it, we're
going to need some collateral, Rafe.
It's just good business.
-W--What do you mean, collateral?
-Well, you owned your own last picture outright.
You've got residual rights on two TV series.
You got points in four other movies in.
You've got a nice house in Beverly Hills.
-That's a lot of collateral.
-You said you'd produce in four weeks.
-I can't-- I can-- look, I--
-Want to do this movie, Rafe?
-Yes.
Yes, I want to do this movie.
-It's no problem.
I'll draw up the contracts.
-Draw up the papers.
-Fine.
-Well, is everything agreeable?
Rafe, when do we start?
-I can start in three weeks.
-Make a good movie, Mr. Hollywood.
Now, we all know what we're talking about, right?
-Are you sure, Rafe?
-I understand the terms, Mr. Russo.
He understands the terms.
We got enough insurance on our end.
-Hey, there, Tony.
You're late.
-How you been, Harvey?
-Good, good, good.
How are you?
-Good.
Got a little job for you.
Guy's name is Stoker.
He's doing a movie down in Fort Lauderdale.
Now, I want you to get on his ass,
harass him, break his balls.
Now, I want the movie finished-- but not on time.
-Rafe Stoker, the actor?
Yeah.
-I'll handle it.
I'm in.
-Three, four weeks.
Here.
You get $5,000 more when the job is done.
-OK, Tony.
Tell you something, you picked the right guy for this.
I've, uh, been in a few movies myself.
-Just get the job done.
Dominick.
-Hey, Harvey.
Who are them guys, anyway?
-We're gonna make some bread, Mr. Rhodes.
A lot more than he thinks.
-You mean we got a job, Harvey?
We got another job?
-Yeah.
In a while.
Now, keep it a secret, all right?
Don't tell the others.
-I ain't gonna say nothing to nobody, Harvey.
You know that.
You know I ain't gonna say nothing to nobody.
-My buddy, Mr. Rhodes.
-Hey, Harvey.
Can we go and have a beer with the rest of the gang?
-Yeah.
-All right!
Cut it!
That's beautiful!
Pick up Barney.
You all right, Barney?
Get in there!
What are you doing?
Get him over here.
How was it?
-How the hell should I know?
-Did you get it or didn't you get it?
You got a problem.
-Uh, no problem.
Just, uh, working 26 hours a day.
And I just shot a chase sequence that takes three cameras
and, uh, I have one.
I'm shooting this with short ends from "Gone With the Wind".
-Dave.
-And the crew's so tired, they can't hit their--
-Dave!
Did you get the shot?
-You bet your ass.
-All right, print it!
Print it!
-I blew the shot.
I lost the moustache.
-You got the wig?
-Sure, I got the wig.
-Come on up.
Get him up.
Here's the wig.
-I took off.
I had the speed.
I had the height.
And right in the middle of the thing,
I could feel it come off.
The moustache came off.
I must have blown the shot.
-Barney.
-What?
-Barney.
-Oh.
-When you went off the end of the pier,
is that what I was wearing? -Yeah.
-Uh huh.
-This is not good news.
-Hey, Barney.
I don't care if he's bare-ass naked.
That's the greatest goddamn jump I've ever seen.
-OK.
Well, let's take it from the top.
-Come on, Harry.
I understand you're here in Southern Florida
making an exploitation film on bike riders.
Is that right, Mr. Stoker?
Uh, y--y-- yes, sir.
That's right.
Well, how's your luck been so far?
Well, it's rained
every damn day that we've tried to shoot.
You see, as a matter of fact, we were supposed
to shoot the film in California.
And, uh, well, we're doing the very
best we can under the circumstances.
Well, we sure hope the Florida sun will
shine, so you can get yourself right back on schedule.
That's what I'm trying to do, Mr. Simpson.
-Hey, hey, hey.
Well, thank you very much, Mr. Stoker.
Mr. Rafe Stoker, ladies and gentlemen.
Thank you, Wayne.
And now back to music.
-You want to be in the movies?
-What?
-You want to be in the movies?
Hey, Tex?
Jesus?
Come here.
-Our master's boss.
J.J., you too.
Get your ass over here.
Come here.
-Get your ass over here.
Sure.
-How'd you guys, uh-- how'd you like to be in a movie?
-Outta sight!
- stereophonic sound.
-There's a movie shooting right now.
Just wondering if you guys like to be in it.
-Hey, Harvey.
I'd like to be in the movies.
-How you gonna get us in the movies?
-How?
If the star of the movie happens to be
a personal friend of mine, dum dum.
-Yeah, all right.
All right.
-Dynamite!
-Come here.
You stay here.
-We're gonna be in a movie.
-Why not?
-J.J.
-Hey, do I look good enough to be a movie star?
-It'll be a giggle.
-Do I feel like a movie star?
-2,000,000 BC!
Ha ha!
-Um.
Hey, Harvey.
We really gonna be in the movies?
-Certainly are, Mr. Rhodes.
First I want to get some wheels.
-But--but I--
-Just shut up and do what I tell you.
We'll have a little fun, too.
Wait behind the door over there until I call you.
-God, you feel good.
-I'm sorry.
Hey, I'm sorry. Excuse me.
-Yeah.
Yeah?
-Um, look, I didn't mean to bother you.
Really.
I was wondering if you had any, uh, gnat lotion.
-Gnat lotion?
Gnat lotion?
-Gnat lotion.
You know-- for gnats.
-Uh, we don't have any gnat lotion.
So, uh--
-Oh.
OK, then.
Heck.
I'll just pop into town and, uh-- you know,
I gotta say one thing, though, before I go.
I really love what you've done with your van.
-Look, I'm trying to tell you--
-Well, we tried to make it comfortable, you know?
-Heck, I think it's terrific.
What, are you kidding me?
I got a friend of mine who's an absolute fanatic on the-- heck,
he's right outside.
Uh, Rhodes?
Come around the side door, take a look at this place.
I think you'll like it.
-Hey, uh--
-J--j--just-- you don't mind, do you?
Rhodes?
What do you think of this?
-Gee, this is nice, Harvey.
-Is this what you had in mind, Rhodes?
Isn't this nice?
-I spent a lot of money on this thing.
And I would like to spend some time with this chick.
You know what I mean?
-And they got the icebox, too, Harvey.
-Rhodes, that's very good.
I didn't even, uh, see the icebox.
-I do-- I--I really like this.
-Come here.
Come here.
Come here!
-Harvey?
Harvey?
I think I killed him, Harvey.
All right, cut it!
Cut it.
Dave, how was it for you?
Right on.
-Audrey, come here.
Hurry up, Rafe.
We're gonna get a light change here.
-OK.
Sit this turkey right over here.
Because I want to go right over here.
That camera there, I want to lay it right about here, OK?
You give me 50 yards, and I'll cut.
Dave, buddy, you're going to come right up over here,
right up over the top of the hood.
Lower that camera down so we miss the ramp.
Bring it down.
The ramp clear?
Just about it.
-All right.
Now?
OK.
It's out of sight.
-Get Barney warmed up.
And we'll shoot this turkey.
33 marker.
Bring him on.
-Did you hear anybody say cut?
God damn it, don't do that!
-Did I say something?
-You want to cut now?
-Cut!
Come on, man.
Come on, man!
Just give me that hand.
I thought you were strong, man!
Shut up.
-Harvey?
What's going to happen about those kids?
-Shut up about those kids.
Period.
They're dead, and that's it.
-Oh.
A--Are you really going to get us in the movie?
-I was in Spartacus with Kirk Douglas.
-Uh, is that the one with the-- or the teeth?
-Kirk-- Kirk Douglas.
Yeah.
-So?
What happened?
-I was too good.
It wasn't Kirk.
It wasn't Kirk at all.
He's a nice man.
It's those goddamn-- the money men, you know?
Behind every day, you watch-- they call them rushes-- you
watch the film you shot the day before.
And I was too good.
They were afraid I was making him look bad.
Wound up with a part like that.
Didn't know all that, did you?
-Harvey?
When you get to be a big star, then we can get married?
I don't think that's very funny.
What is so funny about that?
-Shut up.
-Ha!
What have we got here?
Mr. and Mrs. Clean?
You two married?
Yes we are.
We just got married.
We're newlyweds.
-Oh.
Tell me something.
Do you--
-Jesus, Larry, get her out of here.
-Look, lady, we're trying to eat in peace.
-Oh, please.
Don't mind me.
Go right ahead.
Eat.
I like to watch.
-Get out of here.
-Hey, hey, hey, hey.
Time out.
Look here, brother.
Ain't you got a sense of humor, man?
We just trying to have a little fun.
We ain't hurting nobody.
I'll have you know that this lady right here
is on the committee for Planned Parenthood.
And her partner is a federal narcotics agent.
-Do you know what this is, punk?
-Uh oh.
You two get out of here right now.
-Right.
-Sir.
I apologize.
Officer, I'm sorry.
I consider this my fault.
These people are with me.
We had a party earlier.
Get going.
Way too much beer and wine..
Miss, I apologize.
-You know, it's getting so that you can't have any fun anymore.
Damn cops, they break up everything.
-How was I supposed to know, huh?
-Christ.
-I got this punk hanging.
I don't have to take that crap off nobody,.
Newlyweds.
I got them newlyweds hanging.
Man, sure was.
-Look at what we man.
- Tuxedos.
-Mr. Rhodes.
This is excellent work.
-I thought you'd like that, Harvey.
-Know what I'm gonna do?
Just for this?
I'm gonna see that you get a featured role in the movie.
-Me?
-Featured role.
-Thank you, Harvey.
-Let's get the hell out of here.
-Hey, Rafe.
I can't believe it.
This is the first day we actually
shot everything we scheduled.
-Yeah.
I just wonder if it was any good.
-It was good.
Hey, Rafe!
-Yeah?
-Hey.
5:30 production meeting.
-OK. -Get some rest.
-Night, Audrey.
-Night, sweet.
-Hey.
Well, what I wanted to tell you was,
uh-- I mean, that I noticed that you
know that I screwed the shot.
You noticed I-- I didn't have a leather jacket on.
Well, I'll do it again for free.
I know it's a low-budget film.
You need the bread.
I mean, that's all there is to it.
-Hey.
Let me tell you something, partner.
You go off a 30 foot, 70 miles an hour on a motorcycle,
and you jump 150 feet-- if somebody notices that you don't
have a black leather jacket on, I'm
going to kiss your Macy's window,
and give you 30 seconds to draw a crowd.
You know what I mean?
-A tough guy, eh?
for four or five years.
OK.
Later.
-OK, Barney.
-Joker.
Hollywood man.
They call me Hollywood man.
Too proud to step aside.
One falling star that longs for one, one final chance.
One chance to shoot for the sky.
And if the world gets in my way, I'll still go on just the same.
I'm asking for that one helping hand.
That certain one who believes.
Hey, Rafe.
Unless we get to this location today,
we're going to have a.
-OK, well what about the dailies?
--dailies at lunch time.
Barney?
Have you got that fight scene blocked out?
Because we have to have it today.
-It's together.
Give me about an hour.
Talk to you about an hour about it, OK?
-OK.
And I promise you this time I'm not
going to punch you out like the last time.
-Can I say something?
What? -What if it rains?
-I'll get you an umbrella.
-Dave, if it rains, then we move inside the store,
and everything's fine.
Right?
-We don't have the store.
-I'll get the store, Dennis.
I'll take care of it.
-What if you don't get the store?
-Oh, you know what?
I don't want to bring up bad news, or anything--
I have a little per diem for the fellas.
No money since Tuesday.
-Hey, Barney.
Old buddy, didn't I ask you about 100 times not
to talk to me about per diem or money?
You talk to Dennis.
-Talk to Dennis?
Dennis told me to talk to you.
-He did talk to me about it, Rafe.
But I told him to talk to you, because until you talk to E.
Brinkerman, we don't have any money.
-I'll talk to Brinkerman!
All right?
-Calm down, pal.
All right, everybody off the set, now!
Keep it clear!
Here we go!
- All right! - turkey.
pill wore off now.
-Who's in charge of this outfit?
-I guess I am, Officer.
What, uh-- what can I do for you?
-I'm going to tell you one time.
And I want you to listen to me.
I don't want to hear these loud son of a
on my streets again.
-We-- we had a permit.
And I told you what we were gonna be filming.
You said it was all right.
-So you're not listening to me.
If I hear these loud bastards on the streets again,
you're not going to have any permit.
-Yes, sir.
-Nice jump, kid.
Hey, you're charming.
--that muffler for me, would you?
-Covered.
-Anybody working with me?
-Everybody but God.
We got a light problem because of cloud cover moving in.
- We've got a light problem, then we use the.
What's the matter with these--
-The generator ain't going to put out enough juice.
And we got two--
-Bill.
Bill.
-Yeah?
-Are you the gaffer?
-Well, yeah.
-Well, handle it for me, will you?
-It's handled.
-All right.
Thanks.
-Don't worry about it, Rafe.
If we don't match the light, we can always
donate the film to the Braille Institute.
-You know that Evel Knievel.
I mean, the guy's a great guy and all that.
When I was at the Snake River, I was gonna jump the canyon.
I just dropped me a little mescaline, had my 950.
Built me a ramp.
Took off from the ramp.
I just came over the thing.
And I missed it by 8 feet.
You know what happened?
-What happened?
-I died.
your joke.
Let's go. go.
-So you wanted to be in show business, huh, kid?
-You just keep laughing, because your scene is coming up next.
-Uh oh.
-You see what you got there?
You got.
You call that a light.
Excuse me, miss.
Honey, I wonder if you could help me.
I'm looking for a personal acquaintance
of mine, Mr. Rafe Stoker.
Is he, uh-- he's a friend of mine.
Is he here today? -Yeah.
Yeah, he's in make up.
-Make up.
Where?
-It's around the--
-Over here? -It's around the corner.
-Thank you so much.
How's it going?
Good?
-It's fine.
-There he is!
Eh?
Like I told you.
Eh?
Rafe Stoker.
Son of a bitch.
For christ's sake, how the hell you been, man?
-It's been a long time.
How are you?
-Jesus christ.
Julie Martin.
Julie.
Julie, for christ's sakes.
Julie Martin.
-Excuse me.
-For christ's sake.
Julie, listen, I'm not just your average fan.
I've done some acting myself.
Rafe'll tell you.
Listen, babe, I'd like you to know--
-Thank you.
-You're something else. -Hey, partner.
Hey.
I don't want to be impolite, or anything like that.
But we got to go back to work.
And, uh, I'll tell you something else-- I don't remember you.
-You don't remember me?
No, I don't.
-How soon they forget.
Rafe, two and a half weeks, I worked
with you on "Run, Angel, Run".
For christ's sake.
Give me a break.
-Hey, Harvey here was in "Spartacus", man. "Spartacus"?
Kirk Douglas?
-Yeah, allow me to introduce my friend, Roach.
Roach, say hello to Rafe.
-Hello, Roach.
-Hello, Rafe.
- Are you playing the motorcycle?
--thing, it makes him crazy.
-Let's go.
We got to set up now.
-Hey, look.
Look.
"Run, Angel, Run" was a long time ago.
-But it--
-Good to see you again.
But we gotta go to work.
-Rafe, Rafe, Rafe, hey Rafe.
Sh-- she gotta be-- sh-- I promised her.
-You look just about good enough to eat.
- Glad you're.
-You told me, what, you've watched
him about a thousand times.
-$100 a day per man.
That includes the bikes.
Now, you got two choices, man.
We start early in the morning.
You got 10 seconds.
-I don't need it.
-L--L--L-- Later.
Later.
- Hey, I'll tell you.
You.
Take your people.
And you get them out of here now.
- brother.
-I believe this man is pissed.
-Well, what am I gonna do?
Shoot in the dark?
Let's get back to work.
-All right, strike your arc.
All right, hit that other one.
-Crank 'em over.
Crank 'em up. Crank 'em up.
Are you guys set?
-I understand the terms, Mr. Russo.
-That bullshit.
You gonna let them get away with that?
Let's go, brother. -Hey, hey settle down.
Settle down.
We got ourselves a movie to make.
-OK.
You're right.
OK.
-Good?
Still gonna make a deal with him.
For cash.
Ain't nobody would mind some cash, is there?
He ain't gonna go for it.
You blew up his generator.
-He'll go for it.
-No way.
-You get next to him, he's gonna knock you on your ass again.
-Shut up.
-I saw him a couple TV series.
Looks about half tough to me.
-Faggot.
-And how would you know that?
Huh?
-He knows all about that stuff.
Harvey's been to Hollywood.
-I didn't know you were in movies, Harv.
-Oh yeah, man.
Harvey was in "Spartacus" with Kirk Douglas.
Right, Harv?
- The only pictures Harvey do, he play the coyote in.
J.J.
-Yeah?
You know what a camera looks like?
A movie camera?
Real movie camera?
-Yeah.
-While I'm making my deal with Stoker,
I want you to pick up the camera.
-Got it.
- Pick that up.
Uh, honey?
How's your bunny?
Want to buy my associates here a round of drinks.
They can get anything they want.
And, uh, give the bill to this guy here, Jesus.
OK?
-Hey, wait a minute.
I want to go with you.
-Hey, Mr. Bartender.
What's wrong with your pool table, here?
-Why don't you try sticking a quarter in it?
-You got a quarter, sweetie?
-Sure do.
-Evening, Robert.
-Good evening, Mr. Russo.
Nice to see you.
-Thank you.
-Your party's waiting for you right over here.
Find them in the corner table.
Nice to see you.
-Angelo.
How you doing?
-Rafe, hi.
Nice to see you.
-Good to see you.
-Always a pleasure, Julie.
-What can I get for you?
-Oh, nothing for me, thank you.
Waiter?
A bottle of your finest champagne,
please, for my friends, to celebrate our new venture here.
-Hey, thanks a lot, Angelo.
And, uh, thank you for coming over.
Because I know how busy you are.
-Never too busy for you, Rafe.
And my partners and I are very pleased to see the publicity
that the new movie is bringing into the area.
-That's great.
-Then everything's fine.
-Oh. Oh, yes.
It's terrific.
-Yeah, we got some stuff you can't believe.
Julie is doing--
-I mean, Rafe is doing the directing.
And-- I'm sorry.
-Hey, Julie's fantastic, Angelo.
-Then there are no problems.
-Well, we got a couple a-- we got
a couple of little problems.
We ran into-- we ran into some rain.
And, uh, we weren't expecting that.
And then some bikers came through
and shot a couple holes-- holes in the generator.
-Don't worry about the punks.
The generator's insured.
-Yeah, I know the generator's insured.
But some things came up that we-- Angelo.
Angelo, we're behind schedule.
-We're not really that far behind schedule.
We think--
-Rafe.
How far behind?
-Five days.
-I see.
My partners and I give you $375,000.
In return, you promised a good, commercial product.
These are your figures.
How much more?
-Well, if we don't run into any more unforeseen circumstances,
I need another $100,000.
-$100,000?
Absolutely out of the question.
- last night.
I met this chick at the bar.
I took her home to the hotel.
And I was-- you know, she said she wanted me to tie her up.
-Yeah?
Huh?
All right.
I'll be right there.
I'll be back in a little while.
Keep it warm for me.
-Huh?
-So I went down to the car to get some coke.
And, uh, I came back.
And this is what my attitude was when I came back.
All the doors were all the same.
What room is that?
-Tex.
I got it.
-What the hell are you guys doing?
The management called me.
You're making so goddamn much noise.
-You want the cops on our ass, fine!
-Cops?
-Yeah, they're going to call the cops.
The hell with you guys.
-This is good news!
- This is.
Hey.
Look what I got here.
-Pst!
What about the camera?
-Forget the camera.
We'll get it later.
-OK.
Let's go.
-I'm sorry, Rafe.
Business is business.
If you can't fulfill your commitment,
we're prepared to write it off.
But we won't be happy.
-Look, Angelo.
I'm trying to do something here.
That budget I gave you was bottom line.
I wasn't-- I-- I-- I-- I didn't--
-Rafe, I'll give you $50,000 more.
-It's not enough.
-My partners and I will commit ourselves to $50,000 more.
Not $51,000.
$50,000.
If you'll guarantee me a good commercial product.
If not--
-You got it.
-Then that's settled.
-Yes, sir.
-Then we have no more problems.
-No, sir.
-Miss Harris.
-Yes.
-Always a pleasure.
-Thanks, Angelo.
-See you later.
-I know that we've discussed this before.
But why don't you let me use my money?
It would be so much simpl--
-Julie, goddamn it.
We've been through that.
Just you being here with me on--
-Pardon me.
I'm terribly sorry.
Could I, uh-- could I, uh, trouble
you for--for an autograph?
I'd be very pleased.
-Why don't you get out of here?
-Just got here.
-When you came on my set, you shot a couple of holes
in the generator.
And I punched you in the mouth.
Let's call that even.
But I want to tell you.
If I see you again, or you get back on my set--
and I don't give a about that gorilla there--
I'm gonna hurt you.
And I want it to be clear.
Now, listen.
Keep it quiet.
Do you know what I mean?
-Sure.
Yeah, sure.
You want to see a trick?
See, that's the trick.
I took one out.
But you never quite know which one to take out.
But this thing's got 5 more big ones in it.
And it's got a hair trigger.
So you better be.
You understand?
-Yeah.
-Mr. Rhodes.
Mr. Stoker here is not gonna let us be in this movie.
-But you told me I was gonna be in the movies, Harvey.
-What he's gonna do, though, is he's
gonna give us some money to let him finish his movie.
Mr. Rhodes, what do you think the budget would be
on a stupid, little, turkey movie like Mr. Stoker
here's making?
What do you think?
-I don't know, Harvey.
I-- what do you think, Harvey?
-Come on, Rhodes.
Give me a-- take a guess.
Give me a ballpark figure.
Give me a guess.
-I don't know, Harvey.
-About $300,000?
-Sure.
About $300,000.
-Yeah.
-Very good, Rhodes.
About $300,000?
Well, Mr. Stoker here is going to give us 10% of his budget.
How much would that be, Rhodes?
-Uh, $3,000, Harvey.
$30,000.
-Yeah.
$30,000.
-$30,000.
-I don't have $30,000.
-I know you don't have it in your pocket, you stupid.
But you can get it.
I just saw Mr. Money Bags walking out of here.
I know you can get it.
And you're gonna get it.
You know why?
We're going to borrow Miss Julie for a while.
-No.
-Shut up.
You shut up.
We're going to borrow Miss Julie for a while.
And then when you get it, we'll have a-- sort of a swap.
You know.
So what we'll do now, we'll just go for a nice little ride.
We'll drop you off, Rafe, somewhere.
I'll give you a buzz in the morning.
OK?
Yeah.
Go ahead.
Mr. Rhodes, why don't you walk out of here with Mr. Stoker.
I'll follow behind with Miss Julie.
-Is that OK with you, Mr. Movie Star?
Let's go.
-Well, good evening.
Nice to see you.
Do you have reservations?
-Julie!
Call the cops!
-Son of a bitch!
-Harvey!
The cops!
Come on, man.
The cops!
Let's get out of here, man.
The cops!
Get the hell out of here, man.
-Billy Lee, check the back.
Hey, boy.
Come on down here.
Come on.
Now, I'm going to tell you your rights.
You got the right to remain silent.
I don't want to remain silent.
I want to know what the hell I'm doing
in the back of a police car with handcuffs on me.
-You're going to jail.
What do you think you're doing?
-What for?
-Who were those guys you were fighting with back there?
-Look, I don't know who they were.
I know they were out of their goddamn minds.
-What do they want with you?
-Hey, look.
How am I going to report it to you?
You wanted to chase me out of town already once today.
-Now, when are you people going to get down to some reality.
That's a real gun I saw out there.
These people aren't playing around with you.
What the hell you think you're doing?
You want to make one of these cheap Hollywood movies?
Now, we had this damn town cleaned up of that biker scum,
until you and that damn movie crew came in here.
Now they're back.
-You know, this is really ridiculous.
I don't believe it.
Being here with you is like playing a bad scene
in a B-movie with a dumb, honky Sheriff.
-Well, you keep it up, Mouth.
I'll show you a honky cop.
-You got a cigarette?
-I don't smoke.
-I didn't figure you would.
Look, I know this is hard for you to understand,
but all I wanted to do was make a movie.
I didn't want to cause you any problems.
I didn't want to cause me any pain.
But I've got to finish this movie.
Will you let me?
-You gotta finish your movie.
-Yeah.
-Well, I'll tell you what.
I'm going to let you finish your movie.
But I'm not doing you any favor.
Because this dumb, honky cop wants a piece of their ass.
-Thank you.
Can I ask you something?
-You haven't shut your mouth yet, have you?
-What I'd like to know is, who do you hate most?
Me, the bikers, or yourself?
-You're just going to have to wait and find out, aren't you?
Ow!
Jesus christ.
-What's he doing in there?
What's he doing in there?
-Please, sir.
Just be patient.
The doctor knows what he's doing.
-How long is he gonna be in there?
-I told you before, just take a seat!
-Take a seat.
Be patient.
Psh.
If he was your friend
you were worried about how he was.
Relax and sit down.
You couldn't relax and sit down if your friend was in theres.
Relax and sit.
What's wrong with your little boy?
-Oh, he's fine.
It's his father.
-What's wrong with his father?
-Oh, he was hurt this afternoon.
-My friend was hurt, too.
Nurse told me, relax and sit down.
Don't worry about it.
-Yes, of course.
Yes, I worry about my husband, too.
-What's his name, your little boy?
-Eddie.
-Hey, Eddie.
Come here.
I'm not gonna hurt you.
You afraid of me?
You know I wouldn't hurt your little boy.
You know that.
-Of course not.
No.
-Hey, Eddie.
You-- you watch the Three Stooges?
You want me to tell you a story about the Three Stooges, Eddie?
Hey, Harv.
You all right?
Huh?
Hey, just a minute, sir.
Who is responsible for this bill?
This bill must be paid before we let you leave, sir.
If you have any identification-- Blue Cross?
Any medical insurance?
No, we don't take credit cards.
Have you got a driver's license?
You're a long way from home, Thomas.
-Take the card.
-Is this your correct address?
Hey, listen.
Get a hold of your friend.
He can't leave here without signing this.
I'm sorry, but I need a signature.
-It's all right.
Everything's going to be all right.
It's all right.
Everything's all right.
Shouldn't have asked him for that.
Hey, Harvey, I didn't mean to kill her, man.
I didn't m-- I didn't mean to kill her, Harv.
You just tell me what you want me to do,
and I'll make up for it.
Anything you want, man.
-I'm gonna kill Stoker.
-All right.
We'll kill Stoker, Harvey.
I'll help you get him, man.
-Not you.
You let me down tonight, Rhodes.
I'm gonna kill Stoker.
-All right, Harvey.
All right, Harvey, whatever you say.
You kill Stoker, man.
You kill Stoker.
-He's got to know it was me, though.
-Hurting bad.
-You go on home, darling.
-No, I'm not going home.
-Yeah, you are.
You got one more little scene.
And we'll pick that up in Hollywood.
-No.
No, no, no.
No, I'm staying here with you.
-You can't, Julie.
Everything got all crazy.
I don't even know what's going on.
People running around with guns.
It's not make believe anymore.
A guy stuck a pistol up your belly tonight.
-Rafe.
Rafe, I'm OK.
-I know you are.
I know you are.
And that's why I'm putting you on an airplane this morning
for Los Angeles, so you're going to stay OK.
-If you're staying here, I'm staying here.
-All right then.
Then that's a wrap,.
It's, uh-- let's wrap it.
But I'm just going to shut down a whole movie
and send everybody home.
-You're not gonna quit.
-There is no movie anywhere in the world that means
as much as you mean to me.
-I know that.
-Look at all that water.
-Yeah, man.
And it's.
-Feel better, Harvey?
Feel better?
-Say oink oink, pig!
-No!
-Say oink oink!
-No, I don't want to play.
-I am gonna kill him.
I am gonna kill Stoker.
I am.
-We're on the down side of 40.
We can't afford to put it in reverse.
-Oink oink!
- to kill him!
-Oink oink!
I'm sorry.
-Well, I'm on the down side of 50, partner.
And I'm just about ready to hang it up.
Been on a lot of rides in my day.
This just ain't making it.
-Hey, Harvey!
Listen.
You better start getting your face together, babe.
Because you don't want your friend
to finish the movie without you, do you?
-How you doing?
-I'm doing OK.
-You don't like me, do you?
-You're all right, Harvey.
-Why haven't you asked me how I'm feeling?
-All right?
How's your head today, Harvey?
How you doing, babe?
-Fine, thank you.
-Good.
I'm glad, man.
I'm real glad for you.
Because you need that.
-J.J.
-Yeah?
-Why were you laughing-- why were you laughing before?
-Christ, I don't know, Harvey.
-You need a good joke, Harvey?
Yes.
-I've got a joke for you.
Look at yourself, Harvey.
You're ridiculous, man.
Yeah.
You're going to kill Stoker?
You can't pull your pants up without King Kong
to help you.
And you're going to kill Stoker?
Give me a break.
-Harvey!
Harvey, I ain't gonna tell nobody!
Man, it's me!
Come on, man.
Hey, I ain't got n-- I ain't never gonna tell nobody, man.
Hey, man, you can't do this.
Hey, Harvey, man, wait a minute.
It's me.
I ain't never gonna tell nobody, man.
I promise, man.
I'm gonna be with you always.
I ain't never gonna tell nobody.
Take it easy, man.
-How's it look?
-Well, the swelling's gone down.
-Can you cover it?
-Yeah.
Yeah, you can get that covered.
But I hope you don't do this every night.
I'm a make up man, not a plastic surgeon.
-Right.
-How you holding up?
-Let me see.
Let me see.
Guy, you have done a fantastic job.
You still make an ugly chick.
-You ready to go to work?
-Mm hm.
Yeah.
-Let's go.
Excuse me.
Excuse me, we've got work to do here.
Come on, Junior, get it plugged in.
Come on!
Let's go!
Got it?
-Yeah.
-Strike.
Hey, Dave?
You waiting on me?
You back it up, son.
Scene 26, take one.
Action, Rafe!
-All right, cut it!
How was it, Dave?
-Piece of cake.
-Sound?
-Beautiful.
-Go get it to print.
take everything and just move it
all the way down there.
Dave?
-Yeah?
-Bill?
Come with me.
All right, Dave, you're going to pick us up.
Direct continuation of the last scene.
- Come down here to Julie and I. - Two cops after us..
Strike that.
You pick us up down here, because Julie's never
going to get over that railing.
All right, I'm going to take a cylinder shot.
Take a hit at that second yellow box.
Bud, you time me 20 feet behind me.
Give me a pop.
Bam, hit it.
Keep on going right around.
Soon as we clear that side of the boat, Dave--
-Otherwise I'm going to pan you all the way around.
-All the way around.
-OK.
I can do this with one reflector.
Get me one reflector on the end down there.
One reflector!
-Sky.
Hey, Gene, this ain't a coffee break.
Get the reflector.
-Set the camera up down at the end.
And get me a, uh, G15 for it.
-Let's go get a drink.
-Pappy.
-Audrey.
W-- would you still please?
-I want to go home, Rafe.
-Hey.
Dawn.
I know the hour's long.
It's just hard on the this time.
Come on.
We're gonna these turkeys.
And we're gonna do one more.
And we're gonna--
-Rafe, one of those freaks raped me last night.
-Rafe.
You been having a lot of trouble.
We gave you another $50,000, and you're
still shooting behind schedule.
Now, we need more insurance to protect our investment.
Just a few papers for you to sign, Rafe.
-I don't believe you guys.
I got $125,000 of my own money in this film.
I got my life and-- you can take the papers and shove 'em.
-Rafe.
Sign these papers, or you'll be in our office tomorrow morning
with all our investment.
When you finish the movie, you get 50% back for the asking.
Now, make us a movie, Rafe.
-OK, rolling.
Scene 27, take one.
-Action.
Action!
-Keep on going.
Keep on going!
All right, all right!
-Freeze!
-Freeze, punk.
-Keep it rolling.
Keep it rolling!
You got doubles on that?
I only got doubles of my hat.
-All right, look.
Just stand here.
I'm going to hit you with that left.
And you're going in.
-You got it?
-Yeah.
-Here we go.
All right.
All right, cut it!
That's a print.
Barney.
Y-- you guys get up out of the water, would you please?
Barney, I want to show you.
-Hey, Rafe!
-Hey!
Mr. Movie Star!
-Oh, boy.
What a good-looking boat!
Muah!
-All right, here's what's gonna happen, Barney.
I just kicked the two cops in the water.
There's still sirens all over.
They're coming in.
Julie and I are gonna jump in the boat.
And I'm gonna tell her to get down, because we
don't have the money to double her.
As soon as-- as soon as I ram that thing forward,
it's going to be a cut.
- It's gonna be you. - So why don't you?
-Sounds good.
You know, this is a really fine boat.
This is about 150 miles an hour.
What I can do is kick up around that buoy, just hit that curve,
come back right.
-Barney?
Will you wear the jacket this time?
-Good thinking.
-Dave.
Bring it on down here.
-You ready, Dave?
-You ready, Rafe?
-You bet.
-Roll it.
Scene 28, take one.
Action.
- , get down.
-He's getting in, Harv.
-I got it.
I got it.
- All right,.
Let's get Barney out here.
-Barney, we're ready.
-I've been waiting for this all day.
I love boats.
Man, this is where I get off, Harvey.
Boats.
-Hey, Barney.
-Look at this.
Look at this.
-Scene 29, take one.
Action.
- That's it!!
back here.
-OK, Barney.
Bring it in.
-I got him.
I got him.
-You got him, Harvey.
You got him, man.
- Harvey.
, man.
You got him.
-Oh, look.
-Where'd he come from, man?
-That's him.
-Yeah.
-Get outta here!
Get the goddamn!
Get down!
-That was him over there, Harv!
-That's him.
-He was over there!
-That's him.
-Get him!
-He's coming around.
Over there.
Son of a bitch.
- Son of a bitch!.
-Harvey!
I'm coming up!
-Hey.
-Everything completed?
-You got what you're paying for.
-Yeah?
This is Rafe Stoker.
This is Anthony.
Well, it's a wrap.
And it's in the can.
-Hey, that's great, there, Rafe.
Well, what I'm calling
for is to ask you for my half back.
-Sure, of course.
No problem.
Where are you?
Well, I'm at the beach cafe.
And I have a plane to catch.
-Oh, all right.
We'll be there in 30 minutes.
Hey.
You did a good job, Hollywood man.
-Dominick.
The beach cafe.
-They said a half an hour.
It's been 40 minutes.
Let's go.
-They took half my movie.
And I'm going to get it back.
And I'm waiting.
-Movie.
Well, it doesn't seem worth it.
-It's worth it.
It's worth it.
-Oh, for christ's sakes, Rafe.
A few days ago, there were dead bodies all over town.
Do you think that a movie is worth it?
-It wasn't my fault.
I finished the movie.
And it's good.
-Sure it was good.
Hollywood man.
They call him Hollywood man.
He took his shot at the sky.
And when the world got in his way,
he still went on just the same.
He gave his life for one bit of fame.
To make a Hollywood name.
And now it's not worth a dime.
Bring down the lights.
Please, no applause.
The curtain's down to stay on this Hollywood man.